The Daily Spectrum- Gallery Wall Talks #11

Here in Rockland, Maine, life - for the most part - revolves around the tides for many of the fishermen (and the associated industries) that live here. It is very fitting that I paint the ocean.  I was still somewhat imitating Van Gogh and made four ocean scenes using thick paint and soft edges.

The four paintings I created utilize my theory of using contrasting colors to make the paintings pop.  The soft muted colors seem to tone down the paintings just enough to be pleasing to the eye. The term "muted", or color that's been softened with white, usually function as if they were a gray, bland, color...it fades into the background.

These paintings were done in my studio while I was having a play session.  I experimented with the colors, the application of those colors, and pushed myself in many new ways with the form and texture.  I didn't allow any other painter or techniques to interfere with my creative process.

I began with my favorite color - a yellow-orange, then proceeded with orange, and finally maroon.  I blended when I could and tried to keep the edges soft without having the colors turn muddy.

I know my favorite painting in this series was sold and I do believe (unfortunately) I painted over the other three. Such is the life of an artist at times.

Until next time,
The Happy Painter,
Jill